Bruger:MellowMurmur/Sense8

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Sense8
Information
Genre Science fiction, Drama
Skabt af Lana og Lilly Wachowski, J. Michael Straczynski
Medvirkende Aml Ameen, Doona Bae, Jamie Clayton, Tina Desai, Tuppence Middleton, Max Riemelt, Miguel Ángel Silvestre, Brian J. Smith, Freema Agyeman, Anupam Kher, Terrence Mann, Naveen Andrews, Daryl Hannah
Sprog engelsk, tysk, koreansk, islandsk, spansk, swahili, hindi
Sæsoner og afsnit
Antal sæsoner 1
Antal afsnit 12
Produktion
Produktionsland USA, Storbritannien, Tyskland, Sydkorea, Island, Mexico, Kenya, Indien
Producent Anarchos Productions[1], Javelin Productions, Studio JMS, Georgeville Television, Unpronounceable Productions[2][3]
Produktionsleder Lilly Wachowski, Lana Wachowski, J. Michael Straczynski, Grant Hill[1], Deepak Nayar, Leon Clarance, Marc Rosen[4], Cindy Holland, Peter Friedlander, Tara Duncan
Udsendt
Oprindelig kanal Netflix
Oprindelig sendt 5. juni 2015 (2015-06-05)
Musik
Komponist bag
kendingsmelodi		 Johnny Klimek, Tom Tykwer

Sense8 er en Amerikansk science fiction drama tv-serie skrevet og produceret af Lilly og Lana Wachowski og J. Michael Straczynski. Første sæson á 12 episoder har kunnet streames fra Netflix siden den 5 juni, 2015. Den er bemærkelsesværdig for sin dækning af LGBT personer og temaer, hvorfor den har vundet GLAAD Media Award for at være en "enestående dramaserie".

I serien oplever otte for hinanden tilsyneladende fremmede pludseligt at være psykisk og sanseligt sammenkædede. Ifølge skaberne er målet at udforske emner, som de føler ikke er blevet undersøgt nok i science fiction indtil nu,[5][6] såsom politik, identitet, seksualitet, AIDS, køn og religion.[6][7]

Wachowski søstrene og Straczynski skrev hele første sæson, og de fleste af afsnittene blev instrueret af Wachowskierne, mens resten blev delt imellem Tom Tykwer, James McTeigue og Dan Glass. Serien er den første, der er blevet produceret under Straczynski's Studio JMS. Den 8. august, 2015, blev det offentliggjort, at Netflix har givet grønt lys for en sæson 2.

Premise[redigér | rediger kildetekst]

Sense8 er historien og 8 tilsyneladende fremmede: Will (Smith), Riley (Middleton), Capheus (Ameen), Sun (Bae), Lito (Silvestre), Kala (Desai), Wolfgang (Riemelt) og Nomi (Clayton), hver især fra forskellige miljøer og lande. I midten af deres daglige trummerum, får de alle sammen pludselig et åbenbaringssyn af en kvinde kaldt Angelica's voldsomme død, og opdager, at de er 'sensates': mennesker som er telepatisk forbundet, og derfor er i stand til at føle hinandens følelser, tale hinandens sprog og låne hinandens evner. While trying to live their lives and figure out how and why this connection has happened and what it means, they are aided by another sensate, Jonas (Andrews), who is trying to protect them from "Whispers" (Mann), another sensate, who is similarly empowered and is hunting them down by tapping into their psychic link.[7][8]

Cast[redigér | rediger kildetekst]

Hovedartikel: List of Sense8 characters.

The majority of characters of the main cast are called sensates[9] and all are exactly the same age in the show, sharing the same birthday, August 8. The actors selected are somewhere between mid-20s and mid-30s.[10]

The sensates[redigér | rediger kildetekst]

Other regulars[redigér | rediger kildetekst]

  • Naveen Andrews as Jonas Maliki, a sensate from a different cluster who wants to help the newly-born cluster of sensates.[7]
  • Freema Agyeman as Amanita, Nomi's girlfriend, who later becomes an ally for the new sensates.[9]
  • Terrence Mann as "Whispers", a sensate who turned against his own kind and who leads an organization determined to neutralize sensates.[7]
  • Daryl Hannah as Angelica "Angel" Turing, a sensate from an older cluster (which included Jonas) who becomes the "mother" of the new sensates' cluster as she activates their psychic connection.[15]

Episodes[redigér | rediger kildetekst]

Season 1 (2015)[redigér | rediger kildetekst]

Hovedartikel: Sense8 (season 1).

Sense8 (season 1)

Season 2[redigér | rediger kildetekst]

The series was renewed for a second season on August 8, 2015.[16] Production start for the main unit was given an expected date of March 2016,[17] but a separate shoot involving the principal actors began on December 30, 2015 in Berlin to capture footage during the Christmas holidays.[18][19][20][21] This was followed by a short two-day shoot in Chicago on January 23 and 24, 2016.[22] Filming resumed in Berlin in the middle of March 2016[23] and proceeded to Mumbai on March 25, 2016 for a ten-day shoot.[24][25] On April 7, 2016 filming started in Positano[26][27] and later in April moved to Mexico City and Metepec.[28][29][30][31]

Plans to film in São Paulo and its Gay Pride Parade in late May,[32][33] in Amsterdam during the summer[34] and in Chicago on June 4–15 and October have been reported.[35][22] Filming in Namibia, London, Rome and South Korea has also been mentioned.[26] Shooting locations are expected to almost double in number compared to the first season's, with a number of fifteen or sixteen cities having been revealed by the actors.[28][36]

On April 26, 2016 Deadline reported that Ameen abruptly left production a couple of episodes into filming over a conflict with Lana Wachowski that started during the table read for the season and progressively got worse. Subsequently the role of Capheus was recast to Toby Onwumere.[13]

Although an official date has not been published by Netflix, Clayton has stated the first episode is expected to be released around Christmas 2016, with the rest of the episodes following at some point in 2017. The first episode's script bears the title Christmas Special on it.[37]

Sense8: Creating the World[redigér | rediger kildetekst]

Sense8: Creating the World is a half-hour web television documentary, shot around the world, about the making of Season 1 of the series.[38] It was released online in August 2015 by Netflix.[39]

Production[redigér | rediger kildetekst]

Conception[redigér | rediger kildetekst]

"We started out at one point talking about how evolution involves creating ever greater circles of empathy: You belong to your family, then you belong to your tribe, then two tribes link up and now you have empathy for your people on this side of the river, and you’re against the people on the other side of the river... on and on through villages, cities, states and nations... So what if a more literal form of empathy could be triggered in eight individuals around the planet... who suddenly became mentally aware of each other, able to communicate as directly as if they were in the same room. How would they react? What would they do? ... What does it mean? And what would the world think about people with this ability? Would they embrace it, or hunt them down...? It would give us a perfect platform to do a show that was loaded with action, big ideas, some amazing stunts that no one’s done before, and play to a planetary audience."


According to the Wachowskis, the origins of Sense8 date back several years to "a late-night conversation about the ways technology simultaneously unites and divides us".[41] Straczynski recalls that when the Wachowskis decided to create their own series, they chose to invite him to San Francisco because of his experience working with the format to brainstorm ideas.[40] Both the Wachowskis and Straczynski agreed if they were to do a TV series, they wanted to attempt to do something that had never been done before[42] and change the "vocabulary for television production", the same way The Matrix became a major influence for action movies.[43] After several days of discussion they decided on exploring the relationship between empathy and evolution in the human race.[40]

Development[redigér | rediger kildetekst]

The trio became so excited with the concept they came up with, they decided to develop it on their own instead of pitching it to someone else and on October 2, 2012, Variety reported the Wachowskis had written three hour-long spec scripts and were set to shop them around L.A. the coming week, with the help of Straczynski's Studio JMS and Georgeville Television.[44] If the series was picked up, the siblings and Straczynski would share showrunner duties. Additionally the Wachowskis planned to direct a few episodes of the show if their schedule permitted it. According to Straczynski, the first meeting with potential buyers was with Netflix. The Wachowskis and Straczynski talked to them about subjects such as gender, identity, secrecy and privacy instead of pitching action or otherwise commercial aspects and, when the meeting was over, they worried they made a mistake.[45] By noon, and before they had the chance to pitch it to other outlets, such as HBO,[43] Netflix called them to preemptively offer to buy and produce the first season.[40] Netflix announced that they had ordered a 10-episode first season for the series on March 27, 2013.[41] Later, during filming,[46] because of the density of the scripts and the extended length of the first cut of the first episode, the showrunners and Netflix came to an agreement to extend the season to 12 episodes.[47]

Straczynski hopes that the series will consist of five seasons. Before filming began, Straczynski and the Wachowskis mapped out five seasons worth of stories for the series,[47] including the series' final episode.[48] Straczynski compiled a 30-page document detailing the key points of a hypothetical second season.[49] The actors cast were signed for five seasons. "We pitched it as a five-year story. We've mapped out five seasons of this thing, our actor deals are being made for five seasons, five or six depending on the breaks," said Straczynski.[10]

Comic book artist Steve Skroce, who has been collaborating with the Wachowskis since The Matrix on both film and comic book media, has created storyboards for the show.[50]

Writing[redigér | rediger kildetekst]

Initial writing was split between the Wachowskis and Straczynski. The Wachowskis wrote episodes one, two, three, seven and eight. Straczynski wrote episodes four, five, six, nine and ten. Then the Wachowskis rewrote Straczynski's scripts and vice versa. Straczynski said a good portion of the writing was done by just Lana and himself.[51] Lana Wachowski, a trans woman, has written her first transgender character in her career in the series: Nomi Marks. For that she partly used her own experiences. "It has some very intense, autobiographical scenes, and that was very difficult and surreal", said Lana.[52] Straczynski said regarding the character Wolfgang Bogdanow: "There’s a lot of me in Wolfgang, which is both good and bad. That’s probably the one character I’m most like."[53] "...Especially with his father and what he's going through. ... Wolfgang was my true north in the storytelling."[45] "We had a very bad relationship [with my father]".[53]

Filming[redigér | rediger kildetekst]

San Francisco
San Francisco

Chicago
Chicago

London
London
Nairobi
Nairobi

Seoul
Seoul
Mexico City
Mexico City

Reykjavík
Reykjavík

Berlin
Berlin

Mumbai
Mumbai

To properly tell the international aspects of the story, filming took place almost entirely on location around the globe in nine cities located in eight countries: Chicago, San Francisco, London, Berlin, Seoul, Reykjavík, Mexico City, Nairobi and Mumbai.[8][54] Production on the series began in June 2014 in San Francisco.[55] The filmmakers successfully negotiated with the organizers of the Clarion Alley Mural Project and select artists to feature their artwork in the show.[56] Shooting in Chicago began on July 9 and wrapped up on August 8,[57] with filming taking place both on location and at the Cinespace Film Studios.[55] During location scouting, the producers found the City Methodist Church in Gary, Indiana and changed one site's description in the scripts to a church accordingly in order to fit that particular site into the filming.[58] They also shot some scenes in Chicago's Superdawg drive-through restaurant, while customers were being asked not to stare at the filming. Lana and Lilly Wachowski are frequent customers of the place.[59] Filming in Berlin was done partly in Babelsberg Studio.[60] A sequence in Nairobi required a crowd of 700 extras, 200 cars and a helicopter.[61] In Mumbai they shot a Bollywood dance number that was choreographed by Slumdog Millionaire's Longinus Fernandes.[62] The writers wanted to feature an event in each city.[63] They were able to schedule the Pride[64] with its Dykes on Bikes on the Dyke March[65][66] in San Francisco, the Fourth of July fireworks celebration in Chicago, and the Ganesha Chaturthi Hindu festival in Mumbai.[38] Additionally they recorded footage from the Fresh Meat Festival of transgender and queer performance[67][68] in San Francisco, a club event taking place at the KOKO in London,[69][70] and a real lucha libre (Mexican professional wrestling) event with the fighters wearing wrestling masks in Arena Naucalpan, in Mexico City.[38][71] Lastly the scenes where characters are flying on an airplane were recorded during the real flights the cast and crew had to do to get from London to Iceland.[38][63][72] On November 17, 2014. Straczynski wrote that the main unit shooting had wrapped, with only a few winter shots in Iceland remaining to be captured the next month.[73] These scenes were further delayed to mid-January 2015, until Iceland had the necessary amount of snow,[63][74] with the wrap party taking place in Reykjavík's Harpa Music and Concert hall on January 21, 2015.[75] By the end of the shooting, the filmmakers had completed 100,000 miles of flight time, or four times around the globe.[54]

The show's directors were attached to locations instead of episodes[76] and with all eight countries featured in every one of them, each episode ended up having multiple directors.[77] The Wachowskis were responsible for directorial duties in scenes shot in Chicago[55] and San Francisco[78] along with London and Iceland, two places which were initially announced to be helmed by Straczynski.[42] Straczynski eventually opted to offer them to the siblings because of the extensive action scenes involved in those locations[79] and instead focused his energy on post-production.[47] James McTeigue (V for Vendetta, Ninja Assassin) worked on the Mexico City and Mumbai parts[63] along with some in Reykjavík[77] and German director Tom Tykwer (Cloud Atlas), whose Nairobi Half Life production impressed the Wachowskis, helmed Berlin[80][81] and Nairobi.[61] Dan Glass, who had been the visual effects supervisor for every Wachowski film since The Matrix Reloaded, reprised his role in Sense8 while also making his directorial debut in the Seoul part of the story.[82][83] Even though there were times that units located in different countries were simultaneously shooting, the Wachowskis would travel to the various locations and have collaborations with the attached directors.[17] Reportedly the Wachowskis directed such segments in locations where a different director was otherwise attached as the stunts the character of Silvestre performed for his action movie in Mexico City[84] and in Nairobi car chase scenes with the 'Van Damn' bus[61] along with a fight scene involving machetes.[85] In total, the Wachowskis were credited for directing seven episodes, McTeigue and Tykwer two each, and Glass one.[86]

Netflix required from the production to shoot with 4K cameras to make the look of the show future-proof and John Toll who is credited as the main director of photography for overseeing the distinct look of the nine featured locations, made the decision to shoot by using mostly Sony's CineAlta PMW-F55 cameras.[17][87] Toll, once again collaborating with the Wachowskis and Glass after Cloud Atlas and Jupiter Ascending,[88] personally handled the cinematography in Chicago,[89] San Francisco,[90] London,[91] Iceland,[92] and Seoul.[93] Toll's approach to shooting was to use a lot of Steadicam and hand-held partly out of the necessity to follow the faster schedule of a television production compared to the feature films he was used to working on. Additional cinematographers worked with the rest of the directors in the remaining locations and they used a similar shooting style because they were facing the same scheduling challenges.[17] McTeigue's cinematographer of choice for shooting in Mexico City[94] and Mumbai[63] was Danny Ruhlmann, who previously shot The Raven and Survivor for him.[95] Tykwer worked with Frank Griebe and Christian Almesberger for the Berlin[96] and Nairobi[97] scenes respectively. Griebe had previously shot seven feature films of Tykwer's including Cloud Atlas and Almesberger was the cinematographer of two films Tykwer had produced in Nairobi: Soul Boy and Nairobi Half Life.

For the series' almost two-minute long title sequence, Karin Winslow — wife of Lana Wachowski — rented a car and with the help of a camera assistant traveled in the eight featured countries and captured over a hundred shots. "My directive from Lana was to go out and describe each country by what you see; find the nuances, find the food, find what people are doing, get a feel for the place," said Winslow.[98] In the closing credits of each episode, she is credited for the "main title design".

Effects and post-production[redigér | rediger kildetekst]

Seoul unit director Dan Glass and Jim Mitchell were the visual effects supervisors of the series. An in-house VFX team was established in Chicago which completed over 700 shots. The major external VFX vendors were Locktix VFX (160-180 shots), Technicolor VFX (over 100 shots)[87] and Encore VFX. Additional work was done by Studio 8 FX, Trace VFX and Almost Gold.[83] Because of the series' tight budget and timeline the production made the decision to do most of the effects in-camera and only enhance them digitally where appropriate. In fact for a great number of shots which involved the sensates communicating and visiting each other telepathically the cast were simply moving in and out of the frame in timely fashion requiring no additional work.[38] According to Glass most of the VFX work that was done is invisible in the final show and consisted mostly of split-screens, crew and rig removal, weather augmentation and screen inserts. Of the more visible work done Glass provided the examples of age manipulation of actors, dramatic enhancement of the weather in the car scenes in Iceland, a few greenscreens and computer generated blades, blood and wounds.

Technicolor provided dailies and worked with cinematographer John Toll to color grade the show giving it a look which colorist Tony Dustin describes as "both real and surreal, with a slightly elevated color-saturation". The Wachowskis made the mandate for production to not "lock reels", as it's typically done on TV shows, but instead be able to tinker editorially with the series' narrative, look and tone up to release. They also wanted the color grading of the series to be done in the da Vinci Resolve software and be of theatrical feature film quality. Technicolor finished the show in 4K and delivered both 2K and 4K resolution masters.[87]

Music[redigér | rediger kildetekst]

Tom Tykwer and Johnny Klimek, who co-composed the score for Cloud Atlas and had a minor contribution in the soundtrack of The Matrix Revolutions as part of Pale 3, composed the series' music which was orchestrated by fellow Cloud Atlas collaborator Gene Pritsker.[1][99] The music was written before filming began[100] and it was recorded by the MDR Leipzig Radio Symphony Orchestra.[60] This way the production was able to play it back to the actors before shooting a scene. Tykwer, who has made the music for all of his movies this way, introduced to the Wachowskis the concept of first writing the music during preproduction of Cloud Atlas and the siblings have since commented they are not making a movie again a different way.[101] Ethan Stoller and Gabriel Isaac Mounsey, past collaborators of the Wachowskis and Tykwer, are credited for composing additional music and score. Stoller also acted as the series' music editor.[102]

The title of Episode 4 "What's Going On?" refers to lyrics in the song "What's Up?" by the 4 Non Blondes, which is featured in a scene where the main cast collectively sings it as their first shared experience together. After Nomi escaped from the hospital she said the lyrics were in her head all day and Amanita recognized the song saying it was the perfect soundtrack for a lobotomy.[103]

Reception[redigér | rediger kildetekst]

Critical and public reception[redigér | rediger kildetekst]

Critical reception of Sense8 has been generally favorable. Rotten Tomatoes, a review aggregator website, reported a 67% critical approval rating with an average rating of 6/10 based on 43 reviews, and a 92% audience approval rating. The website's critical consensus reads, "Some of the scenarios border on illogical, but the diverse characters and the creative intersections between their stories keep the Wachowskis' Sense8 compelling."[104] On Metacritic the show is assigned a score of 63 out of 100, based on 23 critics, indicating "generally favorable reviews".[105]

On Netflix over 1,000,000 users rated the show with an average of 4.2 out of 5 stars.[106] In a report released by Netflix it was discovered that at least 70% of the viewers that watched up to the third episode ended up watching the entire first season,[107] and Straczynski was told there are people that watch it "straight through – three, four, six times."[108] Netflix's Chief Content Officer Ted Sarandos praised the success of Sense8 in the up-and-coming French and German markets[109] but also globally.[110] Less than three days after its premiere, Variety reported that the show had been pirated more than half a million times, regardless of the series' digital distribution.[111]

Accolades[redigér | rediger kildetekst]

Year Award Category Recipient(s) Result Ref(s)
2015 Camerimage First Look – TV Pilots Competition director: Lilly Wachowski, Lana Wachowski

cinematographer: Christian Almesberger, Frank Griebe, Danny Ruhlmann, John Toll

Nomineret
[112][113]
2016 Dorian Awards LGBTQ TV Show of the Year Nomineret
[114][115]
Campy TV Show of the Year Nomineret
GLAAD Media Award Outstanding Drama Series Vundet
[116][117]
HPA Awards Outstanding Color Grading – Television Tony Dustin Nomineret
[118][119]
Location Managers Awards Outstanding Locations in a Contemporary Television Series Marco Giacalone and Bill Bowling Vundet
[120]
Saturn Awards Best New Media Television Series Skabelon:Pending
[121]

References[redigér | rediger kildetekst]

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  1. ^ "JMS Discusses Collaborating With Wachowskis For Netflix's 'Sense8' - Spinoff Online - TV, Film, and Entertainment News Daily". Spinoff Online - TV, Film, and Entertainment News Daily. Hentet oktober 19, 2014.{{cite web}}: CS1-vedligeholdelse: Dato automatisk oversat (link)
Hentet fra "https://da.wikipedia.org/w/index.php?title=Bruger:MellowMurmur/Sense8&oldid=11257712"