Fil:Leonardo da Vinci - Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forum Decorat (reverse) - Google Art Project.jpg

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Beskrivelse

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse]  wikidata:Q20174114 reasonator:Q20174114
Kunstner
Leonardo da Vinci  (1452–1519)  wikidata:Q762 s:en:Author:Leonardo da Vinci q:da:Leonardo da Vinci
 
Leonardo da Vinci
Alternative navne
Leonardo di ser Piero da Vinci, Leonardo
Beskrivelse italiensk kunstmaler, ingeniør, astronom, filosof, anatom og matematiker
Fødsels- og dødsdato 15. april 1452 / 1452 Edit this at Wikidata 2. maj 1519 / 1519 Edit this at Wikidata
Fødsels- og dødssted Anchiano Amboise
Arbejdsperiode fra 1466 til 1519
date QS:P,+1500-00-00T00:00:00Z/6,P580,+1466-00-00T00:00:00Z/9,P582,+1519-00-00T00:00:00Z/9
Arbejdssted
Firenze (1466–1482), Milano (1483–1499), Mantova (1499), Venedig (1500), Firenze (1500–1506), Milano (1506–1513), Firenze (1507–1508), Rom (1513–1516), Amboise (1513–1518)
Autoritetsdata
artist QS:P170,Q762

Details on Google Art Project
image of artwork listed in title parameter on this page
Titel
engelsk:
Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forum Decorat [reverse]
title QS:P1476,en:"Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forum Decorat [reverse]"
label QS:Len,"Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forum Decorat [reverse]"
Object type maleri
object_type QS:P31,Q3305213
Dato c. 1474/1478
Teknik tempera on panel
Mål højde: 42,70 mm; bredde: 37 mm
dimensions QS:P2048,42.7U174789
dimensions QS:P2049,37U174789
institution QS:P195,Q214867
Museumsnummer
1967.6.1.b
Genstandens historie

Reigning Princes of Liechtenstein in Vienna and later Vaduz, principality of Liechtenstein, by 1733, the date of a red wax seal, bearing the Liechtenstein arms, on the reverse;[1] purchased 10 February 1967 by NGA.[2]



[1] The name "Ginevra" was too common in the Renaissance to assume with Jean Adhémar ("Une galerie de portraits italiens à Amboise en 1500," Gazette des Beaux Arts 86, no. 1281 (October 1975): 100), followed by Fern Rusk Shapley (Catalogue of the Italian Paintings, 2 vols., Washington, D.C., 1979: 1:251-255) that a portrait of a lady so named in an inventory made at Amboise in 1500 refers to Leonardo's painting, which the early sources, to the contrary, place in Florence. It is not known whether the painting belonged to the Benci family in the early sixteenth century, as Antonio Billi (Il Libro di Antonio Billi esistente in due copie nella Biblioteca nazionale di Firenze, ed. Carl Frey, Berlin, 1892: 51), who presumably saw it, does not give its location. The picture may well have entered the Liechtenstein Collection by 1712 or earlier, as the 1733 seal designated works that were part of the "Fideikommissgalerie" of Prince Johann Adam (1657-1712), held in trust but not personally collected by the then-reigning Prince Josef Wenzel (1696-1772) (see Reinhold Baumstark, "Collecting Paintings," in Liechtenstein, The Princely Collections, exh. cat., The Metropolitan Museum of Art, New York, 1985: 183-185). The founder of the picture gallery at Feldsberg was Prince Karl Eusebius (1611-1684), a distinguished connoisseur who liked small cabinet-type paintings. He was succeeded by his son, the already mentioned Prince Johann Adam (1657-1712), also an avid collector who, however, preferred the Italian Baroque. Either could have obtained the painting in Florence, where both traveled (Olga Raggio, "The Collection of Sculpture," in Liechtenstein, The Princely Collections, exh. cat., The Metropolitan Museum of Art, New York, 1985: 63-65). Leonardo's authorship, in any case, came to be forgotten, as the panel was attributed to Lucas Cranach in the Liechtenstein Catalogue of 1780.


[2] During World War II the picture was transferred, with the rest of the collection, from the Garden Palace in Vienna to the castle at Vaduz in the principality of Liechtenstein, and from there it was acquired from Prince Franz Joseph II for the National Gallery.
Noter More info at museum site
Referencer
Kilde/Fotograf uAEHQEjvDfQp1Q at Google Cultural Institute maximum zoom level

Licensering

Dette er en troværdig, fotografisk gengivelse af et originalt todimensionelt kunstværk. Kopier af kunstværket er offentlig ejendom af følgende grund:
Public domain

Ophavsmanden døde i 1519, så værket er også offentlig ejendom i lande og områder, hvor ophavsrettens længde er ophavsmandens levetid plus 100 år eller derunder.


Dette værk er offentlig ejendom i Amerikas Forenede Stater (USA) fordi det blev udgivet (eller registreret hos U.S. Copyright Office) før 1 januar 1929.

Den officielle holdning, som Wikimedia Foundation følger er, at "faithful reproductions of two-dimensional public domain works of art are public domain, and that claims to the contrary represent an assault on the very concept of a public domain". For yderligere oplysninger, se Commons:When to use the PD-Art tag.
Denne fotografiske gengivelse betragtes derfor også som værende offentlig ejendom Vær opmærksom på, at, afhængig af lokale love, kan brug af dette indhold forbydes eller begrænses i dit område. Se Commons:Reuse of PD-Art photographs.

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nuværende26. feb. 2018, 07:52Miniature af versionen fra 26. feb. 2018, 07:5210.315 × 10.683 (58,63 MB)Aavindraahigher res
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