Fil:William Anderson - Hussars Embarking at Deptford - Google Art Project.jpg

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William Anderson: Hussars Embarking at Deptford  wikidata:Q23757137 reasonator:Q23757137
Kunstner
William Anderson (1757 - 1837) – Artist (British)
Born in Scotland. Died in London.
Details on Google Art Project
image of artwork listed in title parameter on this page
Titel
engelsk:
Hussars Embarking at Deptford

The setting of this painting is Perry’s Brunswick Dock, Blackwall, London, during an embarkation of cavalry, part of the mobilization of troops in response to Britain’s entry into the French Revolutionary Wars. Contemporary newspapers reported three embarkations of cavalry from the Brunswick dock in the spring of 1793. King George III and Queen Charlotte were expected for the first, on April 24, but were unable to attend because of the “indisposition” of one of the princesses. It has been suggested that this painting shows that embarkation, which Perry may have commissioned Anderson to commemorate, and that, when the king and queen failed to appear, the artist adapted his composition to include Perry and his wife, perhaps shown from behind in the lower right of the canvas, observing the scene. Ships were taken into the basin so that the cavalry horses could be easily brought on board. In the background, the animals are lined up to be hoisted in a canvas sling, like the horse just to the right of the composition’s center. In the distance, looking south, the Greenwich Hospital for Seamen is visible on the small stretch of the horizon line at left. [1] B2001.2.181

Signed and dated in black paint, lower right: "W. Anderson
title QS:P1476,en:"Hussars Embarking at Deptford

The setting of this painting is Perry’s Brunswick Dock, Blackwall, London, during an embarkation of cavalry, part of the mobilization of troops in response to Britain’s entry into the French Revolutionary Wars. Contemporary newspapers reported three embarkations of cavalry from the Brunswick dock in the spring of 1793. King George III and Queen Charlotte were expected for the first, on April 24, but were unable to attend because of the “indisposition” of one of the princesses. It has been suggested that this painting shows that embarkation, which Perry may have commissioned Anderson to commemorate, and that, when the king and queen failed to appear, the artist adapted his composition to include Perry and his wife, perhaps shown from behind in the lower right of the canvas, observing the scene. Ships were taken into the basin so that the cavalry horses could be easily brought on board. In the background, the animals are lined up to be hoisted in a canvas sling, like the horse just to the right of the composition’s center. In the distance, looking south, the Greenwich Hospital for Seamen is visible on the small stretch of the horizon line at left. [1] B2001.2.181

Signed and dated in black paint, lower right: "W. Anderson"
label QS:Len,"Hussars Embarking at Deptford

The setting of this painting is Perry’s Brunswick Dock, Blackwall, London, during an embarkation of cavalry, part of the mobilization of troops in response to Britain’s entry into the French Revolutionary Wars. Contemporary newspapers reported three embarkations of cavalry from the Brunswick dock in the spring of 1793. King George III and Queen Charlotte were expected for the first, on April 24, but were unable to attend because of the “indisposition” of one of the princesses. It has been suggested that this painting shows that embarkation, which Perry may have commissioned Anderson to commemorate, and that, when the king and queen failed to appear, the artist adapted his composition to include Perry and his wife, perhaps shown from behind in the lower right of the canvas, observing the scene. Ships were taken into the basin so that the cavalry horses could be easily brought on board. In the background, the animals are lined up to be hoisted in a canvas sling, like the horse just to the right of the composition’s center. In the distance, looking south, the Greenwich Hospital for Seamen is visible on the small stretch of the horizon line at left. [1] B2001.2.181

Signed and dated in black paint, lower right: "W. Anderson"
Object type maleri
object_type QS:P31,Q3305213
Dato 1793
date QS:P571,+1793-00-00T00:00:00Z/9
Teknik olie på lærred
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Mål højde: 464 mm; bredde: 610 mm
dimensions QS:P2048,464U174789
dimensions QS:P2049,610U174789
institution QS:P195,Q6352575
Nuværende placering
ikke på displayet
Museumsnummer
YCBA/lido-TMS-41208
Inskriptioner
English: Signed and dated in black paint, lower right: "W. Anderson

Noter More info at museum site
Referencer
Kilde/Fotograf mAHOZ3HV4Y3NFw at Google Cultural Institute maximum zoom level

Licensering

Dette er en troværdig, fotografisk gengivelse af et originalt todimensionelt kunstværk. Kopier af kunstværket er offentlig ejendom af følgende grund:
Public domain

Ophavsmanden døde i 1837, så værket er også offentlig ejendom i lande og områder, hvor ophavsrettens længde er ophavsmandens levetid plus 100 år eller derunder.


Dette værk er offentlig ejendom i Amerikas Forenede Stater (USA) fordi det blev udgivet (eller registreret hos U.S. Copyright Office) før 1 januar 1929.

Den officielle holdning, som Wikimedia Foundation følger er, at "faithful reproductions of two-dimensional public domain works of art are public domain, and that claims to the contrary represent an assault on the very concept of a public domain". For yderligere oplysninger, se Commons:When to use the PD-Art tag.
Denne fotografiske gengivelse betragtes derfor også som værende offentlig ejendom Vær opmærksom på, at, afhængig af lokale love, kan brug af dette indhold forbydes eller begrænses i dit område. Se Commons:Reuse of PD-Art photographs.
  1. http://interactive.britishart.yale.edu/british-marine-painting/1991/hussars-embarking-at-deptford

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