Værket er også offentlig ejendom i lande og områder, hvor ophavsrettens længde er ophavsmandens levetid plus 70 år eller derunder.

Denne skabelon skal kombineres med en licensskabelon for USA, der angiver hvorfor dette værk er offentlig ejendom i USA. Bemærk at i et mindre antal lande varer ophavsretten længere end 70 år: Mexiko har 100 år, Jamaica har 95 år, Colombia har 80 år og Guatemala og Samoa har 75 år. Dette værk er måske ikke offentlig ejendom i disse lande, som ydermere ikke afkorter beskyttelstiden til maksimalt den i hjemlandet. Honduras har en generel varighed på 75 år men der afkortes beskyttelsestiden til den i hjemlandet.

This work is in the public domain in France for one of the following reasons:

• Its author (or the last of its authors in the case of a collaboration work) died more than 70 years ago (CPI art. L123-1) and did not benefit from any copyright extension (CPI art. L123-8, L123-9 and L123-10)^[1];
• It is an anonymous or pseudonymous work (the identity of the author has never been disclosed) or a collective work^[2] and more than 70 years have passed since its publication (CPI art. L123-3);
• It is the recording of an audiovisual or musical work already in the public domain, and more than 50 years have passed since the performance or the recording (CPI art. L211-4).

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Please note that moral rights still apply when the work is in the public domain. They encompass, among others, the right to the respect of the author's name, quality and work (CPI art. L121-1). Attribution therefore remains mandatory.

1. ↑ Copyright extensions must be considered only in the case of musical works and of authors Mort pour la France (died during conflict, in the service of France). In other cases, they are included in the 70 years post mortem auctoris length (see this statement of the Cour de Cassation).
2. ↑ The collective work status is quite restrictive, please make sure that it is actually established.

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