Nu-metal

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Nu-metal
Stilistisk oprindelse: Alternativ metal
Funk metal
Groove metal
Grunge
Heavy metal
Industrial metal
Rapcore
Alternativ rock[1][2]
Hardcore punk
Kulturel oprindelse: Tidlige 1990'er i USA
Typiske instrumenter: GuitarBasTrommerTurntableKeyboardSynthesizerVokal
Mainstream popularitet: Udbredelse sent fra 1990'erne til begyndelsen af 2007.

Nu metal (også kendt som nü-metal,[3] aggro-metal,[1][4] neo-metal[5] eller new metal) er en subgenre[6] af heavy metal.[3][7][8][9] Det er en fusion genre[8] som kombinerer elementer fra heavy metal med andre genrer, herunder grunge og hip hop. Genren fik i slutningen af ​​1990'erne og begyndelsen af ​​2000'erne.

Guitar[redigér | redigér wikikode]

Guitarens væsentlige rolle i nu-metal er mere simpel. For det meste er der ingen guitarsoloer i musikken. Der bruges i stedet nedstemte strenge for at skabe en tungere lyd. Tit bliver der også brugt 7-strengede guitarer frem for de sædvanlige 6-strengede guitarer.

Eksempler Nu-metal bands[redigér | redigér wikikode]

Kilder[redigér | redigér wikikode]

  1. 1,0 1,1 "Genre: Alternative Metal". Allmusic. http://www.allmusic.com/explore/style/d2697. Hentet 22 May 2010. "By the latter half of the '90s, most new alt-metal bands were playing some combination of simplified thrash, rap, industrial, hardcore punk, and grunge. This new sound was more about grinding textures... Korn, Deftones, Marilyn Manson, and Limp Bizkit were the biggest stars of this new movement -- sometimes dubbed aggro-metal, nu-metal..." 
  2. Bowar, Chad. "Heavy Metal: More Metal Genres". About.com. The New York Times Company. http://heavymetal.about.com/od/heavymetal101/a/101_history_2.htm. Hentet April 28, 2010. "Combining heavy metal riffs with hip-hop influences and rapped lyrics, this genre became very popular in the late '90s through the early 2000's and then fell from favor." 
  3. 3,0 3,1 Pieslak, Jonathan (2008). "Sound, text and identity in Korn’s ‘Hey Daddy’". Popular Music 27: 35–52. doi:10.1017/S0261143008001451. http://journals.cambridge.org/action/displayFulltext?type=1&fid=1584104&jid=&volumeId=&issueId=01&aid=1584100&bodyId=&membershipNumber=&societyETOCSession=. 
  4. Van Pelt, Doug (2004). "Static X". Rock Stars on God: 20 Artists Speak Their Mind about Faith. Relevant Media Group. s. 180. ISBN 0972927697. 
  5. "Amen > Overview". Allmusic. Retrieved 11 February 2011.
  6. Wilson, Scott (2008). Great Satan's rage: American negativity and rap/metal in the age of supercapitalism. Manchester University Press. s. 119. ISBN 0719074630, 9780719074639. http://books.google.co.uk/books?id=nF8YAQAAIAAJ&q=%22nu+metal%22+subgenre&dq=%22nu+metal%22+subgenre&hl=ko&ei=ZxDvS-S8O8TzOaXl0KMI&sa=X&oi=book_result&ct=result&resnum=6&ved=0CD8Q6AEwBQ. 
  7. Halnon, Karen Bettez (2006). "Heavy Metal Carnival and Dis-alienation: The Politics of Grotesque Realism". Symbolic Interaction 29 (1): 33–48. doi:10.1525/si.2006.29.1.33. http://caliber.ucpress.net/doi/abs/10.1525/si.2006.29.1.33. 
  8. 8,0 8,1 Tompkins, Joseph (2009). "What’s the Deal with Soundtrack Albums? Metal Music and the Customized Aesthetics of Contemporary Horror". Cinema Journal 49 (1). doi:10.1353/cj.0.0155. http://google.com/scholar?q=cache:vLzBfv9npncJ:scholar.google.com/&hl=en&as_sdt=2000&as_vis=1. 
  9. Robinson, Greg (2008). Ozzfest. The Rosen Publishing Group. s. 10. ISBN 1404217568, 9781404217560. http://books.google.co.uk/books?hl=en&lr=lang_en.