Fil:Michel Sittow - Portrait of Diego de Guevara (?) - Google Art Project.jpg

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Beskrivelse

Michel Sittow: Portrait of Diego de Guevara (?)

Kunstner

Michel Sittow (ca. 1469 date QS:P,+1469–00–00T00:00:00Z/9,P1480,Q5727902 –1525)
Alternative navne	Master Michel, Master Michiel, Michel Sitau, Michiel Sitau, Miguel Sitau, Michel Sithium, Michiel Sithium, Miguel Sithium, Michel Sittow, Miguel Sittow, Michel Sydu, Michiel Sydu, Miguel Sydu, Michel Syttow, Michiel Syttow, Miguel Syttow, Michel Zittoz, Michiel Zittoz, Miguel Zittoz, Michel Zyttow, Michiel Zyttow, Miguel Zyttow, Michiel Flamenco
Beskrivelse	estisk maler og tegner
Fødsels- og dødsdato	mellem 1459 og 1479 date QS:P,+1450-00-00T00:00:00Z/7,P1319,+1459-00-00T00:00:00Z/9,P1326,+1479-00-00T00:00:00Z/9	mellem 21. december 1525 og 24. december 1525 date QS:P,+1525-12-00T00:00:00Z/10,P1319,+1525-12-21T00:00:00Z/11,P1326,+1525-12-24T00:00:00Z/11
Fødsels- og dødssted	Reval, today Tallinn	Reval, today Tallinn
Arbejdssted	Brugge (ca. 1485-1489), Spanien (1492-1502), Netherlands (1502-ca. 1505 date QS:P,+1505-00-00T00:00:00Z/9,P1480,Q5727902 ), England (1505) (?), Brabant (ca. 1505 date QS:P,+1505-00-00T00:00:00Z/9,P1480,Q5727902 ), Reval (1506-1525)
Autoritetsdata	: Q372203 VIAF: 13103793 ISNI: 0000000080928183 ULAN: 500025374 LCCN: n80049338 GND: 11879745X WorldCat

Details on Google Art Project

Titel

Portrait of Diego de Guevara (?)

Object type

maleri

Genre

portræt

Depicted people

Diego de Guevara

Dato

ca. 1515-1518

Teknik

olie på eg

Mål

højde: 33,6 cm; bredde: 23,7 cm

Samling

National Gallery of Art

	Officielt navn	National Gallery of Art, Washington DC
	Sted	Washington D.C., USA
	Koordinater	38° 53′ 29″ N, 77° 01′ 12″ W
	Grundlagt	17. marts 1941
	Website	www.nga.gov
	Autoritetsdata	: Q214867 VIAF: 3064149198328574940008 ISNI: 0000000123753994 ULAN: 500115983 Open Library: OL449901A LCCN: n79054426 WorldCat

Nuværende placering

ikke på displayet

Museumsnummer

1937.1.46

Genstandens historie

Probably Don Diego de Guevara [d.1520], Brussels; probably heirs of Don Diego de Guevara.^[1] Probably Mencía de Mendoza, Marchioness of Zenete [d. 1554], third wife of Hendrik III of Nassau and subsequently wife of Fernando de Aragon, Duke of Calabria and viceroy of Valencia, castle of Ayora, province of Valencia.^[2] Infante Don Sebastián Gabriel de Borbón y Braganza [d. 1875], Pau; heirs of Don Sebastián Gabriel de Borbón y Braganza, Pau, 1876.^[3] Mme. Maurer, Madrid, by 1915.^[4] (Leo Blumenreich, Berlin).^[5] (P. & D. Colnaghi, Ltd., London, 1929). (M. Knoedler & Co., London and New York, 1929 1930);^[6] purchased March 1930 by Andrew W. Mellon, Pittsburgh and Washington, D.C.; deeded 28 December 1934 to The A. W. Mellon Educational and Charitable Trust, Pittsburgh; gift 1937 to NGA.

↑ J.K. Steppe, "Het overbrengen van het hart van Filips de Schone van Burgos naar de Nederlanden in 1506 1507," Biekorf. Westvlaams Archief 82 (1982), 217 218, notes that there was a dispute over the estate of Don Diego because he had made two wills. The beneficiary of the first will was his half brother Pedro de Guevara and of the second his illegitimate son Felipe de Guevara, still a minor at the time of his father's death. Professor Steppe also states that the diptych now divided between Berlin and Washington was acquired by Mencía de Mendoza through the agency of Don Pedro. In a letter of 20 October 1981, Steppe notes that he has found the will of Don Diego (in NGA curatorial files; see also Steppe 1982 [as above], 214 215, n. 7). Steppe's publication of this and other documents related to Diego de Guevara and his circle is anticipated with the greatest interest by students of early sixteenth century patronage.
↑ Inventories of 1548 and 1554. Archivo del Palau, Barcelona, Marquesado del Zenete, Legajo 122, inventory of 1548, "Item, un retablico pequenyo de dos tablas; en la una esta una pintura de Nuestra Señora con su hijo en brassos y en la otra don Diego de Guevara con una ropa enforrada..., tiene la pintura todo a la redonda una orla de ora; tiene de alto la pintura media vara y de ancho las dos tres palmos e medio"; see J.K. Steppe, "Jheronimus Bosch. Bijdrage tot de historische en de ikonografische studie van zijn werk," in Jheronimus Bosch. Bijdragen bij gelegenheid van de herdendstentoonstelling te 's Hertogensbosch, (Eindhoven, 1967), 39, n. 80; and Steppe 1982 (as in n. 1 above), 218, n. 17, in which the entry from the inventory taken after Mencía's death is also quoted, "Item un retaule ab dos portes, en la una porta esta pintada la verge Maria ab son fill in los brasos y en laltra esta pintada don Diego de Guevara ab una roba forrada de pells." Apparently an artist's name was noted in these inventories only when it could be read on the work itself; see Steppe 1967, 13. These inventories have not been published in their entirety. Mencía de Mendoza's heir was Don Luis de Requesens [d. 1576].
↑ [Catalogue abrégé des tableaux exposés dans les salons de l'ancien asile de Pau appartenant aux héritiers de feu Mgr l'Infant don Sébastien de Bourbon et Bragance (Pau, 1876), 71, no. 631, as by Holbein. Catalogue located with the help of Nicole Reynaud]
↑ See Max J. Friedländer, "Ein neu erworbenes Madonnenbild im Kaiser Friedrich Museum," Amtliche Berichte aus den königl. Kunstsammlungen 36 (1915), 179; and Francisco Javier Sánchez Cantón, "El retablo de la Reina Católica," Archivo Español de Arte y Arqueología 6 (1930), 117.
↑ Max J. Friedländer, "Neues über den Meister Michiel und Juan de Flandes," Der Cicerone 21 (1929), 254.
↑ The Getty Provenance Index lists the Matthiesen Gallery as having the painting until 1928, with the remark, "Source: PI: Colnaghi's". For Colnaghi, it gives the dates of ownership as 1928 1929, remarking, "from Matthiesen; joint account; Colnaghi's bought Matthiesen's remaining half share 1929/Source: PI: joint ownership from Colnaghi's." And for Knoedler's it notes, "from Colnaghi's; joint account; sold by Knoedler's in New York/Source: PI: joint ownership from Knoedler's and Colnaghi's."|height = 336

Samling og anskaffelsesmetode

Andrew W. Mellon Collection

Noter

More info at museum site

Referencer

Kilde/Fotograf

xgGC2ScaomLuSQ at Google Cultural Institute maximum zoom level


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[1] J.K. Steppe, "Het overbrengen van het hart van Filips de Schone van Burgos naar de Nederlanden in 1506 1507," Biekorf. Westvlaams Archief 82 (1982), 217 218, notes that there was a dispute over the estate of Don Diego because he had made two wills. The beneficiary of the first will was his half brother Pedro de Guevara and of the second his illegitimate son Felipe de Guevara, still a minor at the time of his father's death. Professor Steppe also states that the diptych now divided between Berlin and Washington was acquired by Mencía de Mendoza through the agency of Don Pedro. In a letter of 20 October 1981, Steppe notes that he has found the will of Don Diego (in NGA curatorial files; see also Steppe 1982 [as above], 214 215, n. 7). Steppe's publication of this and other documents related to Diego de Guevara and his circle is anticipated with the greatest interest by students of early sixteenth century patronage.

[2] Inventories of 1548 and 1554. Archivo del Palau, Barcelona, Marquesado del Zenete, Legajo 122, inventory of 1548, "Item, un retablico pequenyo de dos tablas; en la una esta una pintura de Nuestra Señora con su hijo en brassos y en la otra don Diego de Guevara con una ropa enforrada..., tiene la pintura todo a la redonda una orla de ora; tiene de alto la pintura media vara y de ancho las dos tres palmos e medio"; see J.K. Steppe, "Jheronimus Bosch. Bijdrage tot de historische en de ikonografische studie van zijn werk," in Jheronimus Bosch. Bijdragen bij gelegenheid van de herdendstentoonstelling te 's Hertogensbosch, (Eindhoven, 1967), 39, n. 80; and Steppe 1982 (as in n. 1 above), 218, n. 17, in which the entry from the inventory taken after Mencía's death is also quoted, "Item un retaule ab dos portes, en la una porta esta pintada la verge Maria ab son fill in los brasos y en laltra esta pintada don Diego de Guevara ab una roba forrada de pells." Apparently an artist's name was noted in these inventories only when it could be read on the work itself; see Steppe 1967, 13. These inventories have not been published in their entirety. Mencía de Mendoza's heir was Don Luis de Requesens [d. 1576].

[3] [Catalogue abrégé des tableaux exposés dans les salons de l'ancien asile de Pau appartenant aux héritiers de feu Mgr l'Infant don Sébastien de Bourbon et Bragance (Pau, 1876), 71, no. 631, as by Holbein. Catalogue located with the help of Nicole Reynaud]

[4] See Max J. Friedländer, "Ein neu erworbenes Madonnenbild im Kaiser Friedrich Museum," Amtliche Berichte aus den königl. Kunstsammlungen 36 (1915), 179; and Francisco Javier Sánchez Cantón, "El retablo de la Reina Católica," Archivo Español de Arte y Arqueología 6 (1930), 117.

[5] Max J. Friedländer, "Neues über den Meister Michiel und Juan de Flandes," Der Cicerone 21 (1929), 254.

[6] The Getty Provenance Index lists the Matthiesen Gallery as having the painting until 1928, with the remark, "Source: PI: Colnaghi's". For Colnaghi, it gives the dates of ownership as 1928 1929, remarking, "from Matthiesen; joint account; Colnaghi's bought Matthiesen's remaining half share 1929/Source: PI: joint ownership from Colnaghi's." And for Knoedler's it notes, "from Colnaghi's; joint account; sold by Knoedler's in New York/Source: PI: joint ownership from Knoedler's and Colnaghi's."|height = 336

[1]

[2]

[3]

[4]

[5]

[6]

Fil:Michel Sittow - Portrait of Diego de Guevara (?) - Google Art Project.jpg

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